Country Music Songs You Need To Hear This Week Featuring Cody Johnson, Jackson Dean, Vincent Mason & More
- All Country News
- Nov 10
- 8 min read

Cody Johnson - Travelin’ Soldier
Some songs are simply written for certain voices. For “Travelin’ Soldier,” the Dixie Chicks’ (now The Chicks) heartbreaking ballad of love, loss, and war, that voice might just belong to Cody Johnson. After years of fans dreaming about what his rich Texas drawl could do with the tune, Johnson finally delivers his long-awaited rendition, and it’s every bit as stirring as imagined. Released today, his version isn’t a reinvention, it’s a revival. With the honesty and grit that have made him one of modern country’s most respected storytellers, Johnson takes this already-beloved classic and makes it feel brand new. Where The Chicks painted the story with soft melancholy, Johnson digs into its raw emotion, his weathered tone capturing both the heartbreak and honor embedded in the lyrics. You can almost see the soldier standing in line, letter in hand, and feel the ache of the girl left waiting. Johnson’s approach is deeply respectful, but unmistakably his own. The arrangement leans into traditional country warmth, steel guitars sigh, the fiddle lingers, and his voice, steadfast and soulful, does the heavy lifting. It’s not flashy, and it doesn’t need to be. It’s the kind of performance that reminds listeners why country music still holds the power to stop you in your tracks. For Cody Johnson, “Travelin’ Soldier” isn’t just a cover, it’s a continuation. A salute to the storytelling that built country music, and a testament to the artists who keep its heart beating strong.
Because sometimes, the right song just needs the right singer. And this time, Cody Johnson was the one it had been waiting for.
Jackson Dean - Over And Over
There are country voices that sound good, and then there are voices that feel lived in, etched with truth, grit, and the kind of conviction you can’t fake. Jackson Dean’s voice has always belonged to the latter camp. With his new single “Over And Over,” out today via Big Machine Records, Dean takes that weathered sincerity and wraps it around a love story so pure, so steady, it feels eternal. At its heart, “Over And Over” isn’t just a love song, it’s a quiet vow. Over a stripped-back arrangement that leaves every breath of his gravel-warmed baritone exposed, Dean paints a picture of a love he could live in forever. Co-written with the ever-innovative Luke Dick and the incomparable Laura Veltz, “Over And Over” glows with the trio’s storytelling chemistry. Together, they craft a song that feels as timeless as a wedding dance and as intimate as a whisper in the dark. The production is understated and soulful, allowing Dean’s powerhouse vocal, equal parts smoke and honey, to take center stage. If his breakout hits like “Don’t Come Lookin’” showcased his rebel spirit and untamed energy, “Over And Over” is its soulful counterpoint: a moment of stillness that proves Dean isn’t just here to burn down the backroads, he’s here to bare his heart, too. It’s no stretch to imagine this song spinning during countless first dances and anniversary toasts. But more than that, “Over And Over” cements Jackson Dean as one of the rare modern country artists who can balance grit with grace, rawness with romance, and turn something timeless into something entirely his own. Because when a voice like his says forever, you believe it.
Vincent Mason - There I Go
At its core, There I Go is a love letter to the road that made him. It’s the sound of a songwriter who’s been through the fire and come out clearer, stronger, and hungrier than ever. Vincent Mason may be standing at the start of his superstardom, but make no mistake, this is no overnight success story. There I Go is a testament to patience, passion, and persistence. And as Mason’s rocket ship takes off, it’s clear he’s not just going places, he’s building a legacy, one song at a time.
Drake Milligan - Tumbleweed
Country music has a new voice that refuses to sit quietly in a corner and his name is Milligan. With the release of his 14-track collection Tumbleweed, Milligan stakes a claim at the crossroads of classic country heart and contemporary swagger, proving that tradition and boldness can live side by side in perfect harmony. From the opening track, it’s clear this isn’t just another country record. Milligan’s storytelling chops shine in “Hard Headed Cowboy,” painting a portrait of stubborn grit that hits as authentically as a Texas sunset. Yet the album is far from one-note. On “Lonely:30,” he flips the script, delivering a tender, heart-tugging ballad that lingers long after the last note fades. And then there’s “Goodbye Ain’t All That Bad,” a sly, cheeky number that demonstrates Milligan’s gift for turning heartbreak into wit, revealing the playful side of country life without losing emotional weight. The album closes with a standout collaboration, “How Much Beer,” where Milligan teams up with fellow Texan Randall King. Crafted alongside songwriting heavyweights Luke Laird and Brice Long, the track is a rollicking ode to the blue-collar watering hole, the barstool philosopher, the neon lights, the camaraderie of a well-earned cold one. It’s an anthem for the working man, but one that wears its humor and humility like a badge of honor. Milligan is reminding us that country music can be evergreen, versatile, and electrifying all at once: reflective and rowdy, clever and heartfelt. In a genre that sometimes risks trading soul for trend, Milligan’s latest record is a refreshing reminder that storytelling and a little bit of swagger still reign supreme.
Jake Owen - Dreams To Dream
Jake Owen has always had a knack for crafting songs that hit the sweet spot between heartfelt reflection and infectious energy, but with his eagerly anticipated new album Dreams To Dream, the Florida-born singer-songwriter steps into uncharted territory: his most personal and honest work yet. Co-produced with genre-bending icon Shooter Jennings at the legendary Sunset Sound in Los Angeles, the project marks Owen’s first fully independent release and it’s clear from the first note that he’s thriving in creative freedom. Confident and reflective, Dreams To Dream finds Owen exploring the road not taken. On the standout track “Wouldn’t Be Gone,” he imagines a life lived differently: one rooted in simplicity, family, and the quiet joys of home. The album has been teased with a series of singles that each reveal a new layer of Owen’s artistry. From the irrepressible humor of “Middle Age Crazy” to the tender romance of “Long Time Lovin’ You,” and the introspective title track Dreams To Dream, the collection balances levity and depth with ease. A highlight is Owen’s reimagining of Waylon Jennings’ classic “Them Old Love Songs,” featuring the soulful voice of Savannah Conley. Under Shooter Jennings’ deft production, the song feels both reverent and fresh, a bridge between Owen’s influences and his own evolving voice. In Dreams To Dream, Jake Owen isn’t just sharing songs, he’s inviting listeners into his world. It’s a space where reflection meets melody, honesty meets swagger, and the dreams he’s chasing are as palpable as the ones he’s willing to let go. This album isn’t just his best work; it’s a statement of independence, artistry, and heart.
Jack Wharff Band - Saved
In a world of fleeting trends and fleeting playlists, The Jack Wharff Band is staking its claim on the enduring power of honesty and heart. Their new single, “Saved,” isn’t just another song, but a quiet but unshakable testimony of faith, freedom, and the anchors that keep us steady when life feels unmoored. Penned by Jack Wharff alongside bandmates Ryan Atchison and Garrett Howell, “Saved” finds its power in simplicity. Wharff’s gravelly vocals cut straight to the core, carrying the weight of lived experience and the humility of gratitude. Backed by instrumentation that is as stellar as it is reverently restrained, the track doesn’t need flash or flair to resonate, it breathes, it listens, it speaks. At its heart, “Saved” is deeply personal, yet universally relatable. It reflects on the pillars of strength faith, love, purpose that anchor us in times of chaos and uncertainty. In that way, it feels less like a song and more like a conversation with the listener, inviting introspection as much as admiration. For fans of Americana and country who value storytelling that doesn’t shy away from honesty, The Jack Wharff Band’s “Saved” is a triumph. It’s a reminder that music’s greatest gift is its ability to heal, to illuminate, and, in this case, to save.
Drake White - Tradition
Country singer-songwriter White is back with a new single that feels like a hug from home. Titled “Tradition,” the track celebrates the simple joys that anchor us, family, friendship, and the rituals that keep life sweet. Co-written with hitmakers Kelly Archer (Bailey Zimmerman, Brett Young) and Justin Ebach (Luke Bryan, Jon Pardi), and produced by Jason Gantt (Jordan Davis, Tim McGraw), the song bursts with energy that’s impossible not to move to. From the first note, you’re swept into a soundscape alive with claps, punchy guitar riffs, the playful twang of a banjo, and soulful harmonies that feel like they’ve been passed down through generations. White’s bluesy, soulful voice shines as he paints a vivid picture of Americana at its finest: “It’s a cold beer and river fishing, a repetition of a way of living, just keeping alive tradition.” By the time the chantable chorus hits, it’s easy to imagine yourself at a backyard barbecue or a riverbank with friends and family, relishing the rhythm of life that never gets old. A final guitar solo and soaring vocal crescendo cement the song as an anthem for anyone who cherishes the moments that truly matter. With “Tradition,” White delivers a celebration of life as it should be lived. It’s upbeat, undeniable, and destined to be on repeat at every gathering that matters.
Alison Nichols - John Deere Green
Rising Music City songstress Alison Nichols is taking fans on a heartfelt trip down memory lane with her new cover of Joe Diffie’s iconic 1993 hit, “John Deere Green.” Released today, Nichols’ rendition is more than just a tribute, it’s a bridge between generations, blending nostalgia with a fresh, modern flair. The connection runs deeper than fandom. Nichols is a cousin of the late Joe Diffie, making this cover not only a nod to one of country’s most beloved voices but also a personal celebration of family legacy. With every note, she channels the warmth and storytelling that made Diffie a household name while stamping her own vibrant identity on the track.
Where the original captured the small-town charm of young love painted in bright green across a field, Nichols’ version injects a contemporary twist, her vocals are airy yet grounded, her phrasing playful yet heartfelt, and the production sparkles just enough to feel current without losing the song’s timeless country soul. It’s the kind of cover that respects tradition while reminding listeners why country music thrives when the past meets the present. For a new generation of fans and longtime Diffie devotees, Alison Nichols’ “John Deere Green” isn’t just a cover; it’s a love letter to the music that shaped her family and a bold first step toward her own legacy in country music.
Trey Calloway - Make That Move
“Make That Move” stands out in today’s country landscape. Its slick, percussive beat and toe-tapping groove recall the swagger of early Keith Urban meets modern Hardy, with a touch of soul-infused charisma. Calloway’s delivery, equal parts charm and conviction drives it home, turning flirtation into a full-on pursuit. For fans looking for the next country anthem that bridges honky-tonk heat and radio-ready shine, Trey Calloway’s “Make That Move” deserves a spot on your radar and your playlist. Because sometimes, when the rhythm hits just right, you don’t think twice. You just make that move.
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